She is controlling and imperious with her daughter, making for a successful update on the text as it gives the role a much more updated and modern feel.Īdrian Lester commandingly plays the Prince, although many of his lines have been cut down. Tamsin Grieg who, in this production is given many of Capulet’s lines, is an icy cold Lady Capulet. Indeed, the entire cast for this production is strong, with each part played to perfection. Thankfully, there are no such problems here as Buckley and O’Connor have a natural, easy chemistry that makes it easy to root for them, despite knowing what’s around the corner for the pair. Productions of Romeo and Juliet can rise or fall depending on the chemistry of the leads. His Romeo moves from quiet, reserved and brooding, to complete joy as he meets Juliet and begins to fall in love. The strong cast is led by the ever-brilliant Jessie Buckley, whose performance of Juliet stands out as the soul of this adaptation and Josh O’Connor, who is almost unrecognisable from his Golden Globe winning role as Prince Charles in Netflix’s The Crown. Combining Burns’ adaptation, with Tim Sidell’s gorgeous cinematography and Simon Godwin’s direction, means this theatre-film hybrid is a huge success. In doing this, they have distilled the play down to its essence. It zips through the action of the play, with Emily Burns having removed many of the long-winded speeches and monologues of the original. The production is slick, stylised and, with a running time of roughly 90 minutes, is a pacy piece of theatre. The National Theatre’s film adaptation of Shakespeare’s classic play, Romeo and Juliet, features a who’s who of British stage and screen talent, and it shows.
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